Model skeletons, cubed earwax and mentoring young writers – all in a week’s work for Ministry of Stories’ Oz Yikici.
An unexpected treasure is what your soul desires, composer and musician Sandro Mussida tells people starting a career in the arts.
How do you get a room full of sniggering teenage boys enthusiastic about dance? Helen Ganberg says it’s not easy, but experience shows it is possible.
Chelsea Theatre’s Community Development Manager Michelle Abbey discusses her career engaging audiences and promoting diversity.
Be prepared to make mistakes and consider reaching out to other organisations running relaxed events, says Kate Lovell.
From Robert Lepage to Captain Kirk, Turtle Key Arts’ Alison King names those who guide and inspire her.
Installing an exhibition for the first time ahead of an 18-month tour is no mean feat. Emma Daker shows us how it’s done.
Mobile phones are an intrinsic part of our lives, and they’re also an incredible space to host art, says Richard Warburton.
After landing the job of Offsite and Education Assistant at Chisenhale Gallery, Rachael Baskeyfield reflects on her journey from University graduate to employee.
From Patti Smith to Katy Dove, Platform’s Jenny Crowe tells us who inspires her.
Hip hop dancer and choreographer Botis Seva says start saving the pennies and always keep an eye out for talent.
Non-English actors are encouraged to change their name and disguise themselves as English in order to be cast in productions – this will not change until we ditch limiting stereotypes, says actor Barbara Blanka.
How you ever asked yourself, “why am I frustrated and stuck in my career”? Performance coach Sally Arnold has some top tips to get things back on track.
Tigers on top of elephants: a week with the National Fairground and Circus Archive as they display the largest collection of circus archives in the UK.
What should an emerging artist know? Director of the The Griffin Gallery, Becca Pelly-Fry, and Detroit-based artist, Corrie Baldauf, offer two different perspectives.
The new online course focuses on the intellectual, critical and business elements of photography – but how does it work? Paul Cabuts outlines Falmouth’s latest MA.
If it wasn’t for Ziggy Stardust’s mime skills, Brendan Keaney might not be working in dance. The DanceEast chief reveals who has inspired his career.
How much dance does an Access and Education Projects Coordinator at Phoenix Dance Theatre actually get to see? Emily Labhart shows us a week in her world.
As she leaves the Theatres Trust, Mhora Samuel looks back on her career in theatre, dance and cultural regeneration.