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“I don’t have to watch this online!” Patrick Kingsley and Laetitia Vancon show how audiences and actors responded as the Czech National Theatre took over a car park to perform onstage during lockdown.

To attend her first play in more than two months, Marie Reslova, a prominent Czech theater critic, drove into Prague, headed to a large vegetable market, parked next to a convertible sports car and switched off her engine.

Soon, actors from the Czech National Theater strode onto a platform a few yards from Ms. Reslova’s windshield.

The play had begun. And she hadn’t even left her car.

The Czech Republic enforced tighter restrictions than most European countries to combat the coronavirus pandemic. For several weeks, Czechs were barred even from jogging without a mask. Even after the government eased that restriction, masks were still mandatory in most other public contexts.

But the country also loosened the lockdown earlier than most — and that has made it a laboratory for how arts and culture can adapt to a context in which some restrictions on social life have been lifted, while others remain in place... Keep reading on New York Times