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Opera companies are being challenged by "a repertoire that is frozen in time and an audience that is continuing to evolve", writes Caitlin Vincent. How can they respect the classics while respecting difference?

'In the first act of Stephen Sondheim and Hugh Wheeler’s musical A Little Night Music, the long-suffering Countess Charlotte Malcolm mentions her younger sister, noting, “Dear Marta has renounced men and is teaching gymnastics in a school for retarded girls in Bettleheim”.
When first written for the show’s Broadway premiere in 1973, this was intended as a laugh line that transitions into the famous duet, Every Day a Little Death. But nearly 50 years later, it stands out for all the wrong reasons.' ... Keep reading on The Conversation