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Chris Bannerman asks what the UK’s departure from the European Union will mean for dance, if open borders are no longer a given.

Timothy Walker, the chief executive and artistic director of the London Philharmonic Orchestra (LPO), recently offered the view that Brexit may have a positive side, providing an impetus for the LPO to search for new opportunities beyond the EU. This might seem a reasonable perspective – especially given Walker qualified it by saying that this optimism should not be construed as unalloyed support for Brexit. However, as the article noted, Walker is almost a solitary voice amongst the wailing throng of an arts community united in their dismay at the Brexi... Keep reading on LSE Blogs