Steve Lacey
Steve was my drama workshop tutor in my first year at drama school. He asked us to do some stuff which, on the face of it, was a bit strange and wacky, and perhaps the relevance wasn’t always clear. However, for a 17-year-old not quite sure of how he ended up at drama college rather than on a rugby field or accountancy course, he opened the door to a wonderful array of possibilities through the creative arts. He gave me an understanding of the power they could have and the... more
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Issue 228: Women in the arts
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Women in the arts
01 Nov 2010Stewart Aitken shares the people who have inspired him most
Also in this feature
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01 Nov 2010
Got a work-related problem? AP finds the expert with the answer.
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01 Nov 2010
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01 Nov 2010
Negotiating the exit of senior staff can be a tricky process. Paul Seath explains how best to tackle the potential legal pitfalls
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01 Nov 2010
Poetic justice? Eleanor Turney reports on the future of contemporary poetry
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01 Nov 2010
A budget reflects priorities, plans and expectations, and the process of creating one can influence how well it is received by staff and bosses, as well as its value as a management tool. David West offers advice on how to approach this daunting annual task.
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01 Nov 2010
Stewart Aitken shares the people who have inspired him most
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01 Nov 2010
Jo Talbot Bowen faced plenty of challenges when she moved from medicine to visual art, but is it really as rocky a road as we imagine?
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01 Nov 2010
WEB EXCLUSIVE CASE STUDY: Networking can be a great way to get extra support, contacts and confidence if you are thinking of starting a business, says training consultant Diana Barden.
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01 Nov 2010
Jenni Lomax gives a personal view of women in the visual arts today – and how things have changed
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01 Nov 2010
Elizabeth Newman, Assistant Director at the Octagon Theatre Bolton at the age of 24, charts her path as a young director and considers whether being a woman has made things harder
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01 Nov 2010
Ana Abad Carlés considers why there is a lack of female choreographers
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01 Nov 2010
WEB EXCLUSIVE CASE STUDY: Elizabeth Newman, Assistant Director at the Octagon Theatre Bolton at the age of 24, charts her path as a young director and considers whether being a woman has made things harder
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01 Nov 2010
Are there any legal sticking points that arts organisations need to be aware of if they cater exclusively to women? Keith Arrowsmith, Partner at Ralli Solicitors LLP, investigates
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01 Nov 2010
Julie Aldridge ponders why arts marketing is dominated by women
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01 Nov 2010
Networking can be a great way to get extra support, contacts and confidence if you are thinking of starting a business, says training consultant Diana Barden.
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01 Nov 2010
Women still lag behind men in the arts – especially in leadership roles. Hilary Carty looks at the issues that lie behind the figures
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01 Nov 2010
WEB EXCLUSIVE CASE STUDY: Are there any legal sticking points that arts organisations need to be aware of if they cater exclusively to women? Keith Arrowsmith, Partner at Ralli Solicitors LLP, investigates