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Issue 213: Teenagers and the Arts

  • Teenagers and the Arts

    15 Mar 2010

    Wieke Eringa introduces the people who have most inspired her.

    Janet Smith
    In Janet’s classes I felt on such a high it was enough to propel me into 20 years of passion for contemporary dance: moving with integrity to your own body, with musicality, freedom and precision, and discovering your interpretation as a starting point for dancing a role. With her endless curiosity and joy, Janet continues to motivate and encourage generations of dancers whilst leading Scottish Dance Theatre, and is a breath of warmth and lightness in what can at... more

Also in this feature

  • 15 Mar 2010

    Paul Devlin names his favourite sites.

  • 15 Mar 2010

    Can the arts not only catch up with new technologies, but lead the way? Hasan Bakhshi, Radhika Desai and Alan Freeman summarise their recent report, arguing that the arts both can and should.

  • 15 Mar 2010

    Damian Hebron assesses the current state of play for the arts in health sector.

  • 15 Mar 2010

    In the second of our series around Arts Council England’s consultation, John Hartley considers the arts and climate change.

  • 15 Mar 2010

    Wieke Eringa introduces the people who have most inspired her.

  • 15 Mar 2010

    Got a problem? Let AP find the expert with a solution.

  • 15 Mar 2010

    Eric Booth considers recent changes in the arts landscape in the United States, and looks to experimentation as key to a successful future.

  • 15 Mar 2010

    Letting adults learn from young people has been hugely beneficial to a gallery next to a housing estate, writes Frances Williams.

  • 15 Mar 2010

    Emma Macorison looks at how to get your message across to teenagers – who don’t necessarily engage with the arts in traditional ways.

  • 15 Mar 2010

    Terina Talbot explains how creating radio dramas brought together teenagers from very different walks of life.

  • 15 Mar 2010

    Lucy May, herself a teenager, shares her experiences of a project that let young people take over the management and running of York Theatre Royal.