Readers will have noticed that we’re in the middle of covering the main political parties’ cultural musings in advance of the next General Election (p7), and we’ve also had quite a lot of news about training for the creative sector, particularly in technology and other backstage skills (p6). These issues spring to mind with renewed force on contemplation of the Save Our Sound UK campaign (p1). Back in February, we flagged up the problem of the Government selling off the bandwidths which are... more
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Issue 207: Ticketing
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Ticketing
30 Nov 2009
Also in this feature
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30 Nov 2009
The involvement of board members in fundraising has been patchy in the past. Verity Haines explores how they can become a dynamic force – and even donors themselves.
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30 Nov 2009
Alison O’Hara explores where the gaps and opportunities lie for growing audiences of young people.
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30 Nov 2009
The World Summit on Arts and Culture raised some important issues and threw up a number of paradoxes. Mike van Graan shares his thoughts.
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30 Nov 2009
Margaret Hodge lays out Labour’s track record on the arts and proposes shielding culture from cuts.
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30 Nov 2009
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30 Nov 2009
Looking for advice? AP finds the answers to your questions
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30 Nov 2009Mahmood Reza follows up on Garsington Opera’s VAT victory by explaining how the new rules work.
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30 Nov 2009
Partnership and understanding are the key for digital ticketing suppliers. Roger Tomlinson assesses the options.
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30 Nov 2009
Dynamic pricing has already spread from airlines to the arts. Kara Larson cuts through the jargon and explains how US arts organisations are making it work for them.
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30 Nov 2009
Accessible programming requires an accessible approach to ticketing. Beth Aplin discovers how venues are responding.