Gregory Nash reveals the people who have inspired him most.
Ian Brown
In TAG Theatre Company’s rehearsal room in 1988 I was movement director in charge, as Ian and his actors wrestled with the escape down the Thames in ‘Great Expectations’. Close to opening night and a nervous breakdown, I was dispatched. I returned next day to find the problem eloquently resolved with a sailcloth, a bowl of water and the creaky lid of a wicker basket. Less is more indeed. When Ian went on to run the Traverse, he was sometimes to be found sweeping the... more
A venue can become so much more than the sum of its parts if it opens up its spaces across artforms without sticking to definitions of what it is or should be, writes John Newbigin.
Developing audiences cannot be delegated to the marketing department and run in a silo, says Julie Aldridge.
Gregory Nash reveals the people who have inspired him most.
Sarah Read explains how one gallery engages with its local audience to remove barriers to attendance and participation and encourage them to give photography a chance.
Disabled dancers have fewer employment opportunities because of a lack of professional training. Stine Nilsen explains how Candoco hopes to redress the balance.
Young people from around the world can be inspired and engaged by photography, as Alex Keech has found out.
Photography is arguably the single most important medium of our time. Louise Clements reveals its past and examines the impact of the digital revolution on photography festivals and galleries.
Jack McNamara highlights the importance of giving young directors the time and space to concentrate and flourish.
Catherine Large calls for a radical re-think of the accepted routes into the creative and cultural sector, arguing for a shift away from unpaid work and towards apprenticeships that employers value.