There’s a distinct shift in the way London plans to look at itself in the run-up to 2012, as Munira Mirza reveals to Catherine Rose.
If there’s one thing you can rely on at this time of year, it will be that everyone will be at one stage or another of a really horrible cold. My interview with Munira Mirza, the new arts supremo for London, is constantly interrupted by coughs, sneezes and gruff apologies on both sides. However, the energy level and excitement are high from the woman who has just published ‘Cultural Metropolis’, detailing the Mayor’s priorities for culture in the coming three years (AP183). But why... more
Helen Renwick on what the London 2012 Olympics should learn from the 2006 Commonwealth Games in Melbourne.
Craftspeople are facing the same challenges as arts workers, and often working in the same areas, writes Rosy Greenlees.
There’s a distinct shift in the way London plans to look at itself in the run-up to 2012, as Munira Mirza reveals to Catherine Rose.
Sean Egan unpicks the legal issues of archiving live performance.
Brian Healy suggests ways of squeezing more value out of online activities.
Alison Morris outlines what you need to know when welcoming disabled audiences.
Beth Aplin offers advice on how to troubleshoot customer service problems.
One sound and music festival is encouraging the spirit of national collaboration, writes Richard Whitelaw.
Marie Irving-Murphy reveals the joys, trials and idiosyncrasies of customer service.
Maria Oshodi finds that cabaret in the dark pushes theatre into new sensory territory.
Robert Essert explains why new concert buildings should have acoustic excellence built in.