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Issue 179: Arts Award , Issue 179: Gay and Lesbian Arts

  • Arts Award, Gay and Lesbian Arts

    06 Oct 2008

    Les Ebdon highlights opportunities for graduates to gain practical experience.

    The creative industries are the UK’s fastest growing sector, accounting for 7.3% of the economy. Much of this growth is due to the innovation instilled in creative graduates by universities at the forefront of the creative revolution, as well as the development of technology, research, knowledge transfer and incubation space to help bridge the gap between universities and creative enterprises. In the report ‘Creative Futures’, the university thinktank Million+ and Napier University... more

Also in this feature

  • 06 Oct 2008

    There may be trouble ahead, but Pam Henderson can help you cope.

  • 06 Oct 2008

    Les Ebdon highlights opportunities for graduates to gain practical experience.

  • 06 Oct 2008
  • 06 Oct 2008

    Every member of staff in one Swindon school is a trained Arts Award adviser, and 60% of students have registered for the award, reveals Joy Aldred.

  • 06 Oct 2008

    The Arts Award may only be three years old, but it has come of age, says Diana Walton.

  • 06 Oct 2008

    A history project at Imperial War Museum North created an opportunity for members of the LGBT community to be actively involved as contributors, visitors and resource users. Catherine Roberts tells the story.

  • 06 Oct 2008

    Projects aimed at involving the lesbian, gay, bisexual and transgender community (LGBT) are still relatively rare, despite growing efforts to embed diversity in arts practice. AP draws together some examples and observations.Amy Bell explains how the York Lesbian Arts Festival is raising the profile of lesbian arts.

  • 06 Oct 2008

    Yasmin Sidhwa explains how the Arts Award acknowledges established creativity.

  • 06 Oct 2008

    Dax Ashworth explains how Southwark’s awareness-raising policies are being supported by a new art competition.

  • 06 Oct 2008

    Diversity issues should be brought into the centre of arts organisations, writes Tim Redfern.