Have a think about the venue or venues where you or your organisation work. How much of those buildings are below ground? Victorian theatre? – probably a pit and a basement full of old scenery. New theatre? – lots of underground workshops. Converted church? – crypt full of craft exhibitions. Barbican in London? – eight floors of underground offices and workshops. Why is this question important? Well – you only have to look at the coverage from Tewkesbury, Hull and Northern Ireland to wonder... more
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Issue 178: Artists' Studios , Issue 178: Patronage
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Artists' Studios, Patronage
22 Sep 2008
Also in this feature
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22 Sep 2008
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22 Sep 2008
Welsh Heritage Minister, Alun Ffred Jones is that rare beast, a politician who doesn?t talk politics, as Catherine Rose discovers.
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22 Sep 2008
Rebecca Walton surveys the work of the British Council in the light of its recent consultation.
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22 Sep 2008
Sean Egan explains how to avoid the legal pit-falls of allowing web-users to post their own content.
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22 Sep 2008
Art prizes bridge the gap between college grant and long-term patronage, as Ann Bukantas reveals.
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22 Sep 2008
Russell Miller has discovered that thought-leadership, volunteering and ambassadorial-stewardship are all crucial elements in developing a patronage culture.
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22 Sep 2008
Opening studios to the public is an excellent way to demystify art ? and sell it, explains Ferial Evans.
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22 Sep 2008
Provision of affordable studio space is threatened by economic and political issues, explains Val Millington.
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22 Sep 2008
John Gilhooly asks how a regular and enthusiastic audience can be persuaded to contribute to a campaign.
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22 Sep 2008
The pioneer organisation for artists? studios started small but is still flourishing, writes Mat Jenner.