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Issue 169: Digital Arts , Issue 169: Consultation

  • Digital Arts, Consultation

    05 May 2008

    Fergus Early introduces us to some of the extraordinary people who have influenced him.

    Errol Addison
    Errol Addison taught me at the Royal Ballet School from the age of 12. He was an unlikely ballet teacher – in the Ballets Russes in the 1920s and then performing in music hall for 30 years. He taught me about musicality, dynamics and sheer enjoyment of dance. In contrast to many ballet teachers, he taught by validation. He picked out everyone’s individual strengths. He sang us boys wonderful dirty songs, accompany-ing himself on the piano, and eventually the... more

Also in this feature

  • 05 May 2008
  • 05 May 2008

    Damian Hebron looks at the benefits of ?percent for art? schemes in the healthcare sector.

  • 05 May 2008

    Fergus Early introduces us to some of the extraordinary people who have influenced him.

  • 05 May 2008

    Digital art isn?t about expensive, exclusive technologies any more: it?s about mass access and collaboration, writes Drew Hemment.

  • 05 May 2008

    Tim Jones reveals how a producing organisation can engage with the work of digital artists.

  • 05 May 2008

    Using the arts to consult with young people has become a key skill in the arts sector, Jay Barron reveals.

  • 05 May 2008

    A new digital arts award has created a learning experience for organisers, artists and audiences alike, writes Roanne Dods.

  • 05 May 2008

    Jon Harrison gives us an overview of recent developments in digital art and their impact on creative work.

  • 05 May 2008

    Building relationships through consultation is beneficial to both organisations and their visitors and audiences, writes Elaine Cabuts.