Graeae has successfully developed D/deaf and disabled audiences across the UK. Richard Matthews explains the principles and strategies that guide their marketing work.
A new diversity programme will shift power and resources to where they can be most effective. Dawn Walton explains the thinking behind Eclipse Theatre’s new artist development initiative.
Taking inspiration from the local community for a new musical about a nightclub proved so successful for Oldham Coliseum that they’re doing it again. Cathy Crabb and Lindsay Williams tell the story.
Theatre can be a powerful training tool for community workers. Louise Heywood describes Geese Theatre Company’s work with criminal justice and social welfare professionals.
Every child in Scotland will see a performing arts production in their school each year if the National Theatre of Scotland’s plans go ahead. Lucy Mason reviews the first year of a trailblazing new pilot.
A new digital distribution platform is piloting an initiative that will see filmed performances by leading cultural institutions screened in community venues including arts centres, libraries and pubs.
At the end of a three-year project touring contemporary theatre to small venues in the north east of England, Annabel Turpin and Kate Sanderson share the lessons they have learned.
Women are disproportionately burdened with caring responsibilities, which limit income and opportunities for both employed and self-employed professionals.
