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Munira Mirza on the power of art to change people’s perceptions of a city – and make them into more ‘human’ places.
An honest assessment of the fundraising challenges facing outdoor arts organisations delivers a cautionary tale about the potential value of philanthropy.
What happens to sculptures and other artworks in a forest trail over time as they surrender to the elements – or to the native bats, asks Cathy Mager.
New research confirms that outdoor arts events draw wide support among local audiences from diverse economic and social backgrounds.
A new wave of artists’ tours encourages us to look differently at the public spaces (like car parks) we see around us. Bill Aitchison explores these new tours.
Two arts venues involved in ‘Showtime’, the Mayor of London’s outdoor festival, recognised the positive impact of working outdoors and, as Jane Packham reports, have since formed a consortium with other venues in outer London boroughs.
Maggie Clarke believes that this is a good time for outdoor arts, with investment, partnerships and networks raising the bar and resulting in a raising worldwide profile.
Maggie Clarke tracks the progression of her career
The Fuse Medway Festival is an international festival of outdoor arts. Miranda Johnson explains why emerging artists are at its heart
Evaluating un-ticketed events in ways which are meaningful and sustainable is a challenge that Anne Torreggiani has faced on many occasions. She reflects on her experiences
Outdoor arts have risen in profile over the past ten years. Bill Gee examines the position of the sector in relation to the current economic climate and the countdown to 2012