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16 cultural organisations have been awarded funding by Arts Council England to create work for and with people over 75 years old.
What’s behind the current rise in interest in dance for older people? Hannah Osmond has been finding out.
Manchester Camerata’s work with people with dementia recently took its musicians to Tokyo to deliver training. Lucy Geddes reveals what they shared and what they learned.
West Yorkshire Playhouse’s commitment to dementia-friendly theatre has enhanced Barney Bardsley faith in humanity. She reveals how it came about.
Older people’s dance classes encourage long-term engagement, but artists face challenges developing relationships with doctors, a survey has found.
Age shouldn’t be a barrier to dancing or performing, says Vicky Thornton. She shares the story of DANCE SIX-0, a contemporary dance company for the over 60s in Salisbury.
A pilot programme by National Museums Liverpool has successfully used drama to train health care professionals to support people to live well with dementia.
Three new funds will help arts organisations become more resilient and more accessible to older people.
Two years after hosting its first dementia friendly performance, West Yorkshire Playhouse has released a best-practice guide to putting on similar shows.
How can you attend a festival if you can’t leave your house? Michael Eades describes a project bringing the festival experience to people with dementia.
Dance offers older people many physical and social benefits, but performing to an audience makes the greatest impact on wellbeing, believes Jemma Bicknell.
Physical access and social isolation emerge as key factors linked to a decline in arts engagement among older people.
A new guide, published by the Alzheimer’s Society, provides practical advice to arts organisations seeking to make their buildings and artistic offering more suited to those with dementia.
Anne Gallacher describes the impact of an ongoing relationship between Luminate, Scotland’s creative ageing festival, and Age Scotland.
When Jim Mulligan joined Spare Tyre's workshops for older people, little did he know that he would go on to write four plays for the company and become a trustee.
Susan Jones explains how innovative arts housing can enable older people to express themselves creatively late into life.
How many older people do you expect to see in a contemporary art gallery? Clare Hankinson tells how Fabrica’s older audience programmes welcomed over 1,000 people last year.
Daycare centres may not be grand venues, but that doesn’t mean art events staged in them should not be ambitious, says Paul Clark.
Older people want to be part of an intergenerational community not a ‘crinklies camp’. Stephanie Fuller shares this and other tips on how to reach out to older audiences.
When will all commissioners recognise that activities like dancing and singing help maintain older people’s quality of life and independence, asks Jessica Harris.