Jump to navigation
Awards for excellence in marketing, diversity and accessibility were presented to theatres in the annual UK Theatre Awards.
What’s it like to be a Communications Assistant at BALTIC Centre for Contemporary Art? Alison Brown fills us in.
Making a name for yourself on the critic circuit is no simple task – and getting off the ground can be the hardest part of all – but Carl Woodward has some practical advice on how to do just that.
How do you get from first gig to internationally recognised festival? Amy Pearce of EFG London Jazz Festival shares her tips.
Libby Penn reveals how MAC Belfast achieved ambitious attendance targets in its first year of operation with the help of a bespoke segmentation model.
Data management has to be everyone’s responsibility and not just seen as an “esoteric specialism”, says Michael Nabarro.
Verity Sanderson explains how a group of digital marketers are seeking to make changes to marketing strategies and initiatives in their organisations.
An in-depth project examining Sadler’s Wells’ ‘customer journey’ has resulted in a much more relevant and targeted approach, which should ensure that customers stay happy and, crucially, return. Hannah Mitchell reports.
Despite decades of investment in audience development and the current enthusiasm for all things data, arts organisations still aren’t getting it, says Michael Nabarro.
Chris Denton reflects on the career that has taken him all around the world, and finally back to London’s South Bank.
How relevant is outreach marketing in a world of digital communications? Hardish Virk believes there is still a place for talking to people on the street.
Dirk vom Lehn explains how video-based research into social interactions in museum or gallery exhibitions can be used to develop new resources and inform arts marketing.
Good data can mean great cost savings as well as valuable insights. Hannah Mitchell kick starts some New Year resolutions on effective data handling.
The new Executive Director of The Dukes in Lancaster, Ivan Wadeson, looks back on his career.
Hye-Kyung Lee traces the history of arts marketing though three different phases, each posing new challenges and requiring arts marketers to rethink their aims and remits.
Lindsey Cook explains why – having already racked up eight years in marketing at mac birmingham – she couldn’t resist returning.
How did Robert Sanderson turn an overspending council-run facility into a theatre and concert hall thriving without subsidy? Erik Peterson tells the story.
Live streaming offers exciting opportunities for both small and large arts organisations in many different ways, believes Andre Portasio.
Craig Titley, Chief Executive of Future Talent, describes his career so far.