Artichoke says it will keep Jess de Wahls' contribution to exhibition which provides a platform for "all women, trans and non-binary people": "We do not believe in cancel culture"
Many of the UK's highest-funded arts organisations promised change after George Floyd's death. While governance and programming has evolved, change in the ethnic diversity of their workforces is slow.
The partnership will afford more stability to both organisations as they aim to create "one of the most accessible and creative venues in the country".
Sir Howard Panter and Dame Rosemary Squire look set to repeat the commercial theatre growth model they perfected as founders of the Ambassador Theatre Group.
If 2020 has given us anything, it’s a recognition that arts organisations need to engage with technology – and that they’re stronger for having it, writes Chris Unitt.
A review highlighting shoddy employment practices and a lack of pastoral support doesn't go far enough to change the conservatoire's culture, critics say.
What happens when you put communities in charge of their own creative projects? Ryan Herman found out how residents, rather than local politicians, are making their communities better places to live.
Adopting a creative approach to tackle opening in a Covid-safe environment could give venues the edge and help them come out the other side. David Dunstan shares some successful strategies.
When cultural producers have the time and space to think ahead and bounce ideas off each other, remarkable ideas emerge. Richard Watts shares the new thinking starting to emerge from the Culture Reset programme as delegates prepare for an uncertain future.
Time's up for conservatoire culture
Drama schools would do well to interrogate their practices and culture now before the calls for reform begin.