Why would a theatre want the hassle and financial risk of producing its own productions rather than just presenting touring shows? John Baker explains why – and how – the Marlowe Theatre is doing both.
Are you familiar with Arts Council England’s self-evaluation framework? Probably not, says Mandy Barnett, but a new version aims to be simpler and more relevant, and to empower the arts to explain its value with tenacity.
For the London International Festival of Theatre customer data is power. Libby Penn describes how taking control over ticketing and audience data was like opening a treasure trove for the London International Festival of Theatre.
By bringing the findings of academic research into the wider cultural sector, CultureCase is providing the evidence that helps arts professionals make a stronger case for support. James Doeser looks back on the impact of its first year.