Turtle Key Arts has been involved in arts projects with disabled people in many countries. Alison King reflects on the attitudes and approaches of the people she has met.
Damning research has woken Australia up to the situation for indigenous artists in the country. It’s time for their voices to be heard, says Jacob Boehme.
What rights do artists have when their work is exhibited without their permission? Eleni Polycarpou considers the controversy surrounding the Anselm Kiefer exhibition in China.
Manchester Camerata’s work with people with dementia recently took its musicians to Tokyo to deliver training. Lucy Geddes reveals what they shared and what they learned.
A fascination with lullabies has led Supriya Nagarajan to produce inter-cultural performances and education projects around the world. She tells the story.
Will Donald Trump, a liberal arts graduate, be enamoured by an industry with an envious return on investment? Or will his government continue a history of half-hearted federal support, asks Craig W Johnson.
Over half of Arts Council England’s NPOs are reaping rewards working internationally, but larger organisations and those based in London tend to benefit most financially.
UK-based artworks loaned overseas to museums or galleries are more at risk from seizure in Italy than they would be in other European countries. Giulia Cipollini calls for the situation to change.
How can arts organisations ensure they matter to their audiences and funders? Sara Lock has been learning from Nina Simon, author of The Art of Relevance.
An established brand has helped arts organisations increase engagement and fundraise. But how do you begin developing a brand? Kirsten Abildgaard offers her tips.
Dance is perfectly suited to being toured internationally, says Anthony Missen. He explains how exporting has allowed Company Chameleon to grow and flourish.
An international collaboration is helping young people with disabilities in the Ukraine get involved in the performing arts and bringing communities together, writes Sylvia Harrison.
Support for non-national UK museums and galleries wanting to tour their exhibitions internationally has been published as part of a new research project led by the British Council.
