International

Black theatre company Nitro has recently opened a sister company in Sydney, Australia. Felix Cross tells how it has all been possible.

Chris Bannerman tells how he reluctantly became a key driver in a complex collaboration involving choreographers, dancers and academics from the UK, China and Taiwan.

Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre companies at the Edinburgh Festival Fringe.

Charlotte Gregory describes how a cross-border, Interreg-funded exchange has shared the French passion for contemporary circus.

Lisa Ball-Lechgar describes how Abu Dhabi has placed culture as a vital element in its ongoing development and growth.

The World Cities Culture Report reveals how culture is as important as finance and trade to the success of a city. Munira Mirza explains why.

Five years ago, the Arterial Network, a pan-African arts network, was set up to address poor government policies, the marginalisation of artists and a lack of funding facing the African Cultural sector. Nancy Onyango reports on the advances it has already made.

Yvette Vaughan Jones looks towards a Creative Europe 2014 – and beyond

Nicky Webb describes the birth, development and culmination of a European collaboration that has led to dialogue and exchange between artists, curators, programmers and producers