Jessica Bowles took students from The Royal Central School of Speech and Drama to curate the Prague Quadrennial's SpaceLab - and found their theatrical assumptions happily challenged.
What better place to learn about using the arts to help older people and those with dementia than in Japan, where a quarter of people are over 65. Nick Ponsillo reports on his recent trip.
With a culture hungry population and one of the fastest growing economies in the world, India is ripe for cross-cultural collaboration, says Harpreet Kaur.
Debra King and Sarah Perks share their experiences of delivering a multi-artform project as part of the sister-cities celebrations between Wuhan in China and Manchester.
Taking female actors to Saudi Arabia to perform with young Saudi women is just one of the National Youth Theatre’s ground-breaking activities, says Paul Roseby.
Panto, ballet and nativity plays are standard Christmas fare in the UK, but what are they enjoying in other European countries? Alex Bryne has been finding out.
Working with some of the best French contemporary circus companies has raised the bar for our own version of the artform, says Gavin Stride in conversation with Catherine Love.
International touring has given Motionhouse greater confidence and is a crucial element in the company's plans for the future. Louise Richards explains why she plans ahead - and is ready for surprises.
Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.
Having worked in children’s arts and health in a London hospital, Victoria Jones, now in Melbourne in Australia, compares the respective creative programmes.
As one of the oldest cultural networks in Europe, the European Festivals Association’s mission has always been centred around artistic quality and long-term impact, says Kathrin Deventer.
A huge vocal work is premiered this weekend in Birmingham, followed by performances in Berlin and London. Stephen Newbould describes how it has come together.
Mark Hewitt couldn’t believe his luck when he received funding from the Artists’ International Development Fund to collaborate with a foreign musician of his choice.
Part of the Brighton Festival, 'caravan showcase' presents contemporary English theatre to international programmers. Catherine Love explains how English theatre companies can benefit from the showcase and other year-round activities.
