Over half of Arts Council England’s NPOs are reaping rewards working internationally, but larger organisations and those based in London tend to benefit most financially.
UK-based artworks loaned overseas to museums or galleries are more at risk from seizure in Italy than they would be in other European countries. Giulia Cipollini calls for the situation to change.
How can arts organisations ensure they matter to their audiences and funders? Sara Lock has been learning from Nina Simon, author of The Art of Relevance.
An established brand has helped arts organisations increase engagement and fundraise. But how do you begin developing a brand? Kirsten Abildgaard offers her tips.
Dance is perfectly suited to being toured internationally, says Anthony Missen. He explains how exporting has allowed Company Chameleon to grow and flourish.
An international collaboration is helping young people with disabilities in the Ukraine get involved in the performing arts and bringing communities together, writes Sylvia Harrison.
Support for non-national UK museums and galleries wanting to tour their exhibitions internationally has been published as part of a new research project led by the British Council.
After moving to a new box office system, an Atlanta theatre secured nearly three times more in donations in the last half of 2015 than its 2014 total. Libby Penn shares the story.
The online public discussion set to inform the White Paper on culture has reached its fourth and final stage, focusing on the reach of UK culture internationally.
There are parts of the world where disabled people face much greater challenges than here in the UK. How can a dance company help? Pedro Machado shares his experiences of taking Candoco and its mission overseas.
An international study says the ‘moral and economic rights’ of artists must be protected if they are to sustain their creative activity and fuel the economy.
