International

A new gallery for visiting international artists has recently opened in a terraced house in South Shields in the north east of England. Padma Rao tells the story.

Christoph Jankowski introduces Creative Europe, the new EU funding progamme for the cultural and creative sectors.

Working in partnership with a Ugandan arts organisation has been a fraught experience (an understatement) for Blackpool’s TramShed, but as Zac Hackett and Marge Ainsley report, they are not giving up.

In a relatively buoyant global art scene, Mauro Herlitzka looks at the increasing interest in Latin American art, aided by an acquisition programme for UK galleries.

Cila Warncke discusses the role of literature in promoting democracy and social change in a country like Myanmar.
 

Helen Marriage reports on her first six months at Harvard on a Loeb Fellowship and explains the practice of ‘placemaking’, something she would love to see over here.

Why do we see the world’s finest contemporary dance companies in our theatres across the UK? Because Dance Consortium has made it possible and viable, says Heather Knight.

The impact of participatory art on the experience of new migrants and their interaction with a new cultural environment is now the subject of a European research project. Nancy Hogg explains.

Across the UK and US the prison arts community is forming a transatlantic network. Becky Mer examines the ins and outs