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Dee Evans explains the benefits and challenges of ‘full-on’ international co-productions
James Mackenzie-Blackman explains how international corporate sponsorship can be a useful way for arts organisations to get out into the world
Iceland
Kara Larson sorts the myths from the truths about “US-style” philanthropy
Ildikó Takács considers how the universal language of dance can encourage cross-cultural collaboration and work
Norway and England have very different theatre ecologies, but by working in both of them a theatre company can extend its reach and reputation, says Alex Byrne
The UK could learn something from the drive and ambition behind Bilbao's Guggenheim, writes Simon Kensdale.
