Future Arts Centre venues are more successful than the rest of the sector at attracting the audiences least likely to engage in the arts, research suggests.
50 arts organisations shared around 60% of the estimated £480m private investment in culture in 2014/15, with London-based organisations being the primary beneficiaries.
If arts organisations continue to decrease emissions at the current rate, they will be 46% lower in 2019/20 than in 2012/13, a report by Julie’s Bicycle has found.
Over half of Arts Council England’s NPOs are reaping rewards working internationally, but larger organisations and those based in London tend to benefit most financially.
As he prepares to step down, Sir Peter Bazalgette has said he’s pleased with NPOs’ progress but that board members need to get more directly involved with fundraising.
Recognition that increased spending in one location can lead to reduced spending somewhere nearby should be considered an essential part of an economic assessment, according to a DCMS report.
Dance is perfectly suited to being toured internationally, says Anthony Missen. He explains how exporting has allowed Company Chameleon to grow and flourish.
The theatre’s business model bears fruit, as a local tech company signs a rental agreement that will deliver an ongoing revenue stream for its artistic and education work.
Paying artists fairly is listed in Creative Scotland’s new Arts Strategy among a range of measures to raise the profile of artists and the arts in Scotland.
Your box office data could be key to unlocking a higher income stream from satisfied customers who are willing to pay more for your tickets. Rachael Easton explains how.