Amy Zamarripa Solis’s first attempt at crowdfunding was not a success. She explains what went wrong and reveals how – after raising less than 50% of her target – she still managed to stage a successful fringe theatre production.
Many professionals have reservations about online learning courses, but new developments are making them an appealing alternative for time- and cash-strapped arts workers, argue Michelle Wright and Ben Walmsley.
The Fundraising Regulator has backed charity Bow Arts Trust’s claims that the £90 a month 'donations’ it took from a tenant on a live-in artist studio scheme were made voluntarily, despite concluding there was no supporting documentary evidence and accepting that the payments formed part of the monthly rent.
Cost cutting is as essential as fundraising, but it’s not often given equal consideration. Michelle Wright shares tips for arts organisations looking to reduce costs without compromising quality or long-term growth.