After a failed bid to the Creative Europe programme and the end of a previous strand of European funding, network organisers are considering scaling back activities.
The UK’s arts and cultural sector has borne the burden of EU law for long enough – we have nothing to fear from leaving the EU, says Harriet Bridgeman.
The decision of UK citizens – to stay or leave the EU – will affect the cultural life of future generations all across the continent. So how do European citizens hope they will vote? Katherine Heid shares her perspective.
Culture must become an integral part of EU policy, says the European Parliament - and artists should be free to move and support inter-cultural dialogue.
Panto, ballet and nativity plays are standard Christmas fare in the UK, but what are they enjoying in other European countries? Alex Bryne has been finding out.
The European Regional Development Fund can be a crucial source of funding, but relations and processes between the partners involved need to be coherently managed, advises Florence Harmelin.
Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.
As one of the oldest cultural networks in Europe, the European Festivals Association’s mission has always been centred around artistic quality and long-term impact, says Kathrin Deventer.
UK membership of the European Union gives cultural organisations access to a wide variety of funds and initiatives. Why are we not bothered? Asks Julie Ward.
Sarah Stannage warns that many arts organisations may be missing out on European and Government funding available through Local Enterprise Partnerships.
