Can corporate sponsorship have a negative effect on a cultural organisation’s artistic value? Yuliya Shymko and Thomas Roulet share what they have learned studying the Russian theatre sector.
Creative entrepreneurs in remote regions risk isolation, but it doesn’t have to be that way. Aisling Murtagh explains how a project in Europe’s Northern Edge is helping to support and connect creative enterprises.
Negotiations with the EU will need to consider the status of freelance workers as well as employed staff, the Creative Industries Federation has warned.
Cultural organisations can still bid for Creative Europe funding – now and possibly after the UK has left the EU. Christoph Jankowski explains why you should consider it.
Two reports summarising the cultural sector’s views on Brexit identify funding, free movement for workers and access to the single market as key issues.
Creative Europe funding will be used by arts organisations across Europe to challenge stereotypes and help refugees “socialise and express themselves”.
Research into business model development in the arts often neglects smaller organisations, but a new project is changing that. Stephanie Dieckvoss introduces the Creative Lenses project.
Can we teach artists to be entrepreneurial? Laurent Noël reports on a programme in France that mixes business plans, sales skills and corporate relations with creative ideas to help artists become successful ‘artrepreneurs’.
Competing UK cities will continue with their bids, despite a lack of reassurance from organisers Creative Europe that the UK will remain a host country in 2023.
A yes/no referendum on museum free entry would be a terrible idea, so why did the Government think it was an acceptable way of deciding whether we stay in or leave the EU, asks Liz Hill.
The popular press has dismissed anti-Brexit arts figures as ‘luvvies’ after a survey revealed the vast majority of workers in the creative sector will vote for Britain to remain in the EU.
It is not trade that binds Europe together, it’s culture, argues Eric Lane. He explains how a reading campaign is engaging with the EU referendum debate.
After a failed bid to the Creative Europe programme and the end of a previous strand of European funding, network organisers are considering scaling back activities.