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LIFT and ENO are among the 48 UK organisations benefitting from European Union grant money
Panto, ballet and nativity plays are standard Christmas fare in the UK, but what are they enjoying in other European countries? Alex Bryne has been finding out.
The European Regional Development Fund can be a crucial source of funding, but relations and processes between the partners involved need to be coherently managed, advises Florence Harmelin.
Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.
More than €5m has been awarded to UK organisations to lead collaborative projects by the European Commission's revamped funding programme.
As one of the oldest cultural networks in Europe, the European Festivals Association’s mission has always been centred around artistic quality and long-term impact, says Kathrin Deventer.
A European Commission inquiry finds that economic benefits will stem from cultural diplomacy, but current weaknesses need to be addressed.
UK membership of the European Union gives cultural organisations access to a wide variety of funds and initiatives. Why are we not bothered? asks Julie Ward.
On an arts programme secondment with the British Council in Ukraine, Liz Pugh has been witness to the turbulent geopolitics of the past six months.
Airline policies on the transportation of musical instruments could now be brought into line as pan-European regulation comes a step closer.
The new service will offer advice and support to UK cultural organisations wanting to broker effective European and international partnerships.
Sarah Stannage warns that many arts organisations may be missing out on European and Government funding available through Local Enterprise Partnerships.
Christoph Jankowski introduces Creative Europe, the new EU funding progamme for the cultural and creative sectors.
Northern Europeans have the highest levels of cultural engagement but overall levels of participation and engagement have fallen since 2007.
Increased applications and an interest in participation and collaborative projects show the UK’s appetite to work in Europe and internationally.
Rachel Clare, Artistic Director of Crying Out Loud, names those have inspired her throughout her career.
The new Executive Director of Citizens Theatre, Glasgow, Judith Kilvington, guides us through her career to date.