Slung Low’s Alan Lane, disability champion Andrew Miller and Paul Hamlyn Foundation’s Moira Sinclair are among those receiving awards for their service.
If 2020 has given us anything, it’s a recognition that arts organisations need to engage with technology – and that they’re stronger for having it, writes Chris Unitt.
The largest Paul Hamlyn Foundation grant since 2006 will provide a sustainable basis for the theatre’s ongoing work, plus money to evaluate its long-term impact.
Permanent employment for 17 more musicians and a wider programme of music activity will stem from the transfer of Flintshire Music Service to Theatr Clwyd.
A review highlighting shoddy employment practices and a lack of pastoral support doesn't go far enough to change the conservatoire's culture, critics say.
Rishi Sunak said hard hit workforces like the arts may have to retrain to adapt to the new economy. Sara Whybrew counters that the new economy means we must adapt our approach to training.
Research England will bankroll the partnership between four regional universities and The Culture Capital Exchange following a successful pilot project.
By cutting bursaries for teacher training, the Department for Education will make a career in teaching an unreachable dream for some musicians, says Roz De Vile.
A DCMS-commissioned study cites strong evidence that "can be trusted to guide policy" on arts interventions in some areas of health and wellbeing - but not others.
God? Art? Heritage? Education? In the face of a financial reckoning and a crisis of balance, can cathedral choirs harness their transformational potential before becoming an irrelevant heritage industry for the soul, asks Thomas Leech.
As many creative people pause and rethink the path they're on, Mary Irwin explains how a new programme could help them harness their talent in a meaningful way.
As schools reopen for the new year, arts education needs to rise to short and long-term challenges to be successful and remain relevant. Jacqui O’Hanlon proposes a way forward.
