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The Creative Minds project asks how the work of artists with a learning disability can best join the mainstream. Mark Richardson explains.
The Bloomsbury Festival in a Box outreach scheme is tackling cultural exclusion, reports Cathy Mager.
Working in partnership with a Ugandan arts organisation has been a fraught experience (an understatement) for Blackpool’s TramShed, but as Zac Hackett and Marge Ainsley report, they are not giving up.
Improvements in physical access for disabled people have not been matched by better strategies to attract audiences, says new report.
Maggie Hampton finds immensely vibrant and powerful art in Project Art Works Anthology.
The new Executive Director of Citizens Theatre, Glasgow, Judith Kilvington, guides us through her career to date.
Isabel Jones talks to Esther Harris about the inspiration behind her recent work with visually impaired dance performers.
Tony Heaton reflects on how far we have come to make arts buildings accessible to all.
How can we make sure that physical access improvements remain a priority despite current economic constraints? David Bonnett has some suggestions.
Alex Fradera and Julia Pöhlmann explain why improvisational theatre is so effective at breaking down the barriers between prisoners and society.
Suzanne Bull makes the case for disabled access to be at the heart of music venues’ strategic plans – not an afterthought
Play is a fundamental part of artistic projects that aim to improve the lives of disabled people, says Ciara Brennan
Rebecca Taylor describes how the refreshing approach of a disability charity is leading its members to embrace the “cosmic dance of creative energy”