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Deborah Bull explains what the cultural enquiry into arts policy and young people learnt by looking back over the last 60 years.
The latest data reveals a shift in both employment practices and audience patterns among Arts Council of Wales’ Revenue Funded Organisations.
Louisa Davison tells how two companies have pulled down the barriers between ballet and integrated contemporary dance.
Mira Kaushik records the changes that her dance company has made in response to sudden cuts in government funding.
A recent British Council report says that the arts and culture are vital in making a country attractive to foreign visitors. Sue Hoyle delves a little further.
A new report concludes that smaller organisations are being squeezed out as their share of Arts Council England’s regular funding awards has diminished.
Which is more influential over repeat attendance – performance or venue? Hannah Mitchell reveals some of the surprising findings that emerge when audiences are invited to complete a survey about an event they’ve just attended.
Lindsey Butcher discusses the issues that emerging aerial dance artists face in an artform that itself is just emerging.
Fern Potter takes us through her career, from setting up her own New York dance company to raising millions of pounds for dance in the UK.
Why are we not critically engaging with learning disability arts? Bella Todd reports on the recent Creative Minds conference.
Dance workshops, courses and events in Somerset have allowed over 400 people with mental health issues to ‘escape their troubled minds’. Viv Gordon discusses their impact.
A drama project has brought research on dementia to life for healthcare professionals as well as directly benefiting people with the condition. Cathy Bailey explains how.
ACW reports highest recorded levels of arts engagement among young people, although participation among adults shows some signs of decline.
Leadership style is changing, from the extrovert personality controlling from the front to someone who shares power and develops and fosters relationships, believes Sue Hoyle.
A £215k grant from Arts Council England will bring a large-scale intergenerational dance project to Milton Keynes.
Britain’s national contemporary dance company has taken up residence in its new £19.6m purpose-built home on London’s South Bank.
The region’s dancers will be offered dance-specific healthcare and dance science services.
The Creative Minds project asks how the work of artists with a learning disability can best join the mainstream. Mark Richardson explains.
Antony Dunn believes that making youth dance more inclusive starts with keeping it in the national curriculum.
Rachael Griffin tells us who has inspired her most.