Mayor of London launches theatre campaign

06 Dec 2022

Tickets for popular theatre shows are to be sold at discounted rates as part of efforts by the Mayor of London to boost tourism in the capital.

As part of the mayor's Let's Do London campaign, a "12 Shows of Christmas" promotion will see tickets for London West End shows are to be sold at a discount by Transport for London (TfL) to try to attract people into the capital on the Tube.

For 12 consecutive days, 100 tickets will be sold for £30, a 35-45% discount on the usual price.

It is hoped the campaign will boost sales and tourism after the industry took a hit from the pandemic.

Drama school 'faces closure in weeks'

02 Dec 2022

A drama school in Reading has warned that it will be forced to close by the end of the year if it cannot raise sufficient funds within the next 10 days.

In a statement published on its website, READ College, which has been operating for 15 years, said it is in financial trouble "due to the relentless cost-of-living crisis, our continuous recovery from Covid and the loss of our ability to host international students".

"READ College is facing a critical time," the statement said. 

"We have seen businesses and colleges close around us due to the rise in the cost of living and soaring energy prices, the nation is struggling and we now find ourselves in an unsustainable financial position."

It said that if sufficient funds are not raised by 12 December there will be "no choice but to close our doors at the end of this term".

It has launched a #SaveREADCollege campaign and is asking people to donate online.

Coventry reports City of Culture boost

02 Dec 2022

Coventry’s visitor economy recorded a large increase in its economic value in 2021, while the city was UK City of Culture, new research indicates.

Research commissioned by destination management organisation Destination Coventry calculated the economic impact of tourism in the city using a model that takes into account attractions footfall, car park usage, festival and event statistics, and hotel market data.

It found Coventry’s visitor economy increased to a value of £495m in 2021, an increase of £265m compared with 2020.

The city attracted 8.2 million visitors during 2021, a 103% increase on 2020 levels. Wider figures for the West Midlands Combined Authority region found a 72% year-on-year increase in visitors for the area.

“It is easy to forget that at the start of 2021 we were still in Covid-19 restrictions, as a matter of fact the first UK City of Culture event was held when restrictions were still in place,” Destination Coventry Managing Director Paul Jones said.

“So, to have recovered to this extent is excellent and the figures featured in this latest economic impact report are certainly something the tourism sector in Coventry should be proud of.”

Corin Crane, Chief Executive of Coventry & Warwickshire Chamber of Commerce, added: “Events such as City of Culture have set the foundations for success here in Coventry and now it’s up to us to capitalise and keep that momentum going.”

Grassroots call for radical change

Artists in covid masks painting
28 Nov 2022

New research that identifies how the pandemic heightened artists’ precarity highlights radically different perspectives for healthy arts ecologies in the future, writes Susan Jones

Why better data is vital for future-proofing the cultural sector

Light projection
23 Nov 2022

Why do we struggle to convey the cultural sector’s significant impact? There’s no easy answer but an obvious solution lies in harnessing quantitative and qualitative data, argues Ben Walmsley.

Rise in English Heritage income and membership

23 Nov 2022

English Heritage recorded a 16% increase in income in the past year, according to the conservation charity’s annual report for 2021/22.

Its total income increased from £99.8m to £116m, while total expenditure was up from £37.4m to £42.4m.

The charity’s membership base reached almost 1.2m, including 422,000 new sign ups in 2021/22, which saw membership income rise from £37.4m to £42.4m.

English Heritage says some of its 400-plus sites posted record visitor numbers too, which has been attributed to an increase in staycations following the peak of the pandemic.

But the charity is aware financial challenges could be ahead. It says a £80m grant from Historic England – presented when English Heritage became a charity in 2015 – is almost spent, alongside a series of Covid recovery grants.

Chair Sir Tim Laurence said 2021/22 was a “year of learning to live with Covid-19”.

“We and the rest of the world will be dealing with the financial impacts of the pandemic and of the war in Ukraine for some time to come,” he added.

“But I have every confidence in our ability to rise to the challenge.”

English Heritage’s annual report also confirmed staff numbers dropped from 2,245 to 2,117, while its gender pay gap narrowed from 10.3% to 7.8%.

Ethnic diversity in UK music industry falls

23 Nov 2022

UK Music's biennial Diversity Report reveals a drop in Black, Asian and ethnically diverse representation among music industry employees.

Tate slashes wage bill

Interior of Tate Modern
22 Nov 2022

Tate's annual report highlights lasting impact of pandemic with more than 180 redundancies made to reduce staff costs by a fifth.

Academics urge greater support for creative practitioners

09 Nov 2022

Policymakers should 'learn lessons from the pandemic' and intervene in four key areas to better support creative practitioners, researchers have said.

Historic venue closes citing ‘devastating’ pandemic impact

01 Nov 2022

A historic arts venue in Hastings is closing to the public due to the “devastating effects of the pandemic”.

St Mary in the Castle, a 200-year-old building on the seafront, had been under the care of the St Mary in the Castle Charitable Trust since 2013.

The trust, which was established to ensure the building’s maintenance and preservation, said it has been unable to renew its lease with Hastings Borough Council after it expired at the end of October.

“Unfortunately, the trust is unable to recover from the devastating effects of the pandemic without further financial subsidy to allow St Mary in the Castle to return to pre-pandemic operations,” it said in a statement.

“We projected this would not be until Spring 2023.”

The trust said pandemic led to fewer venue hires and lower audience numbers, leaving the venue unable to cover its costs. 

A spokesperson for Hastings Borough Council told Sussex Live that the council “simply does not have the resources available to support St Mary in the Castle,” despite efforts to save the venue.

“We met them on a number of occasions and gave them £18,000 last summer,” the spokesperson said.

“However even this, a grant of just over £50,000 from Arts Council England and over £87,000 for Covid recovery from the government through Hastings Borough Council appears not to have been enough, given the ever-increasing costs of running venues.”

Music and theatre audiences 'slower to return' following pandemic

25 Oct 2022

Post-pandemic audiences for live music and theatre are returning at a slower rate than for cinema and exhibitions, according to new analysis of DCMS data.

The study published by Data Culture Change in partnership with the Campaign for the Arts, covers the nine artforms included in the DCMS Participation Survey of audiences in England, looking at participation data for October 2021 to June 2022.

The data shows a positive upward trajectory for audiences, but the recovery is uneven.

Of the less popular artforms covered in the data, craft exhibitions, live dance and street arts events are recovering at a slower rate than events connected with books and writing.

Campaign for the Arts Director Jack Gamble said: “We all know that the pandemic had a big impact on people’s ability to organise and engage with arts events, but this report shows just how considerable that impact was, and that the ripples are still being felt.

"It’s encouraging to see a trend towards increased participation overall, but it’s a much slower recovery for some artforms, and especially in light of the energy and cost-of-living crisis, we need to ensure that the trend towards recovery can continue.”

Arts audiences turning away due to economic crisis

21 Oct 2022

People expect to attend art and culture events less in future than they did before the pandemic, a study has found.

A survey conducted by sector support organisation The Audience Agency found that large proportions of people say they will reduce spending overall and specifically on entertainment and leisure outside the home - doing less, travelling less and looking for more free options.

Of the 3,557 responses, 74% said the cost of living crisis meant they expect to do fewer paid-for entertainment and leisure activities over the next year. 

Most people expect to attend art forms less in future than they did before the pandemic with 34% of respondents saying they will attend film less than they did before the pandemic, 28% saying they will attend live performances less, and 21% saying they will visit indoor galleries, museums and heritage sites less.

Anne Torreggiani, Chief Executive of The Audience Agency, said the findings confirm the growing impact of the cost-of-living crisis on the sector. 

"It’s shocking to find out that three quarters of the population are predicting that they will have less to spend on arts and culture," she said.

"Keeping abreast of people’s changing priorities and habits are going to play a vital part in the sector’s resilience. We’re here to do that, to help organisations anticipate where the pressure points will be, to offer practical support in navigating them, to suggest how we can help our communities through the crisis."

Cost of Glastonbury tickets rises 26%

18 Oct 2022

The price of tickets for next year's Glastonbury Festival have increased by 26% with organisers blaming "challenging times" for the rise.

Festival-goers for the 2023 event will be charged £335 plus a £5 booking fee for standard tickets when they go on sale on 6 November, with a £50 deposit.

That represents a 26.4% increase on the £265 cost before booking fee for tickets that went on sale in 2019 for what should have been the 2020 festival that was ultimately postponed.

The BBC reports that Glastonbury Festival organiser Emily Eavis said "incredibly challenging times" are behind the rise and they had tried "very hard" to keep costs down.

"We're facing enormous rises in the costs of running this vast show, whilst still recovering from the huge financial impact of two years without a festival because of Covid," she said.

"The £50 deposit on ticket sales day in November will be the same as ever, with the balance not due until April.

"And, as always, there will be opportunities for many thousands of people to come as volunteers or as part of the crew.

"In these incredibly challenging times, we want to continue to bring you the best show in the world and provide our charities with funds which are more vital than ever."

Museums 'scaling down activity' to survive

A steam engine at Leeds Industrial Museum
13 Oct 2022

Survey of museums highlights concerns about fixed-term energy contracts ending and the inability of organisations to absorb high energy costs if they persist for the long term.

Fundraisers are a scarce resource, let’s not make them scarcer

Multicoloured graphic of raised hands
12 Oct 2022

As we recover from Covid and navigate the cost-of-living crisis, fundraisers are ever more important. Yet we continue to undervalue the job, says Michelle Wright.

Edinburgh Film Festival goes out of business

11 Oct 2022

The Edinburgh International Film Festival has been shut down with immediate effect after the charity that runs it, the Centre for the Moving Image (CMI), announced it had ceased trading and called in administrators.

In a statement CMI said the decision was taken as a result of the "perfect storm" of sharply rising costs, in particular energy costs, alongside reduced trade due to the ongoing impacts of the pandemic and the cost-of-living crisis. 

CMI said that even with the recently announced energy price cap for businesses, its energy costs were likely to rise by approximately £200,000 over the next 12 months, and with the price cap only in place for six months, planning beyond March 2023 was "highly uncertain".

"The combination, and scale, of these challenges is unprecedented and means that there was no option but to take immediate action," the statement said.

As a result, Filmhouse Cinema and Café Bar in Edinburgh, Edinburgh International Film Festival and Belmont Filmhouse have all ceased trading immediately with administrators appointed for all entities.

Workplace art and culture 'improves productivity'

10 Oct 2022

Providing art and arranging cultural activities in the workplace makes for a happier, more productive workforce, a study has found.

Creative Scotland warns of cutbacks

06 Oct 2022

Creative Scotland has warned that a combination of rising costs, falling income and the impact of Brexit means it is likely to have to cut the funding it provides to arts and culture organisations.

The Edinburgh Evening News reports that the quango, which funds venues, arts organisations, events and festivals, has said that maintaining standstill funding is “increasingly unviable” because of soaring additional costs.

Instead, it said it may have to cut back the number of organisations it provides long-term funding to in the future.

In a submission to Holyrood’s culture committee, which is taking evidence on how the Scottish cultural sector is currently funded, Creative Scotland said: “At the time of writing, there is no certainty as regards the Scottish Government budgets that will be allocated to Creative Scotland. The indications are that significant cuts are likely.

"We anticipate we may have to fund fewer organisations on a multi-year basis, but aim to fund them at a more sustainable level."

Royal Opera House unveils subscription streaming service

04 Oct 2022

The Royal Opera House has announced a new online subscription service offering works from its archives, behind the scenes features, and talks for a monthly or annual fee.

The move to offer a permanent streaming service follows a programme of nine live-streamed concerts and 38 productions from its archives which ran during the pandemic. 

The organisation said subscribers, who will be asked to pay £9.99 a month or £99 a year, will have access to an extensive catalogue of full-length performances spanning two decades.

There will also be more than 85 behind-the-scenes features, trailers, talks and insights. Brand-new titles will be made available monthly, along with behind-the-scenes content. 

During the pandemic, content in the Royal Opera House's #OurHouseToYourHouse programme was viewed more than 15 million times in 183 countries, broadcast in partnership with the BBC, Sky Arts, Marquee TV and Netflix. 

Attractions warned of ‘exceptionally tough’ 2023 

26 Sep 2022

The Association of Leading Visitor Attractions warns that amid pressures on household spending, providing value for money to visitors is more essential than ever.

Pages

Subscribe to Covid-19