UK cultural attractions are calling for a new bank holiday to boost tourism, and the popularity of outdoor attractions, starting to reopen from next week, has skyrocketed.
Museums and cultural organisations may have to extend their opening hours, the Mayor's office says, amid projections more than 100,000 'face-to-face' jobs will be lost.
Auditorium formats that worked well between lockdowns aren’t the answer to achieving full houses as restrictions are lifted. Urgent adaptations are needed to maximise capacity – and revenues – says Robin Cantrill-Fenwick.
The combined effect of Covid and Brexit will make significant dents in the financial viability of the orchestral sector, in spite of Government support so far. Mark Pemberton considers the challenges ahead.
Manchester City Council is urgently refreshing its culture rescue plan as annual analysis shows arts organisations' value to the city - and their immense vulnerability from April.
DCMS Minister Caroline Dinenage says the much-vaunted measure runs the risk of giving false confidence to festivals: "I just wouldn't be prepared to do that."
Liverpool has a new five-year strategy to reboot the region by building a more inclusive coalition from its creative workforce, which is now believed to be twice as large as official figures suggest.
Freelancers, young people, women and live performance art forms have been disproportionately affected by a year of lockdowns. Extended financial support may not be enough.
Live events in the arts and cultural sector have been among the very hardest hit by the pandemic, so one year on, how do arts leaders feel about this rollercoaster ride? Robert Sanderson asked some of those in the frontline to look back - and look ahead.
An investigation into the Culture Recovery Fund found £335m of awarded funds were still sitting in DCMS' coffers last month as demand for support exceeds its 'worst case scenario'.
An unacceptable truth
To describe the past year as unprecedented is an understatement. Just don’t make the mistake of thinking anything has really changed, Liz Hill warns.