What’s up, doc?

01 Nov 2010

Jo Talbot Bowen faced plenty of challenges when she moved from medicine to visual art, but is it really as rocky a road as we imagine?

You’re fired!

01 Nov 2010

Negotiating the exit of senior staff can be a tricky process. Paul Seath explains how best to tackle the potential legal pitfalls

Leading women

01 Nov 2010

Women still lag behind men in the arts – especially in leadership roles. Hilary Carty looks at the issues that lie behind the figures

Top ten tips: Creating a budget

01 Nov 2010

A budget reflects priorities, plans and expectations, and the process of creating one can influence how well it is received by staff and bosses, as well as its value as a management tool. David West offers advice on how to approach this daunting annual task.

Case study: Dancing to a different tune

01 Nov 2010

Ana Abad Carlés considers why there is a lack of female choreographers

Case study: Women’s work?

01 Nov 2010

Julie Aldridge ponders why arts marketing is dominated by women

Case study: Visualise change

01 Nov 2010

Jenni Lomax gives a personal view of women in the visual arts today – and how things have changed

The benefits of networking

01 Nov 2010

Networking can be a great way to get extra support, contacts and confidence if you are thinking of starting a business, says training consultant Diana Barden.

Greener, cheaper, better

11 Oct 2010

A year since the 10:10 campaign was launched, Julie’s Bicycle looks at ways in which the cultural industry is coping with carbon reduction

Orchestrating a greener future

11 Oct 2010

Stephen Maddock reveals how touring live shows while lowering carbon emissions and costs can work in harmony together

Make a stand… and deliver

11 Oct 2010

Michaela Crimmin reviews how artists are making a physical difference to the environment

Ask the expert

11 Oct 2010

Looking for advice? AP finds the answers to your questions

Pop in, sit up

11 Oct 2010

The success of recession-fuelled pop-up theatre shows that creativity need not be restrained by budgets, argue Roland Smith and Jessica Brewster

Talent and tenacity

11 Oct 2010

How can creative graduates maximise their chances of securing paid work post-university? Zoë Ellsmore takes a look

Making a merger work

A face on two hands
11 Oct 2010

Are two heads better than one? Mahmood Reza explains why and how arts organisations can merge to ensure survival and success

Want to make more Friends?

11 Oct 2010

Download ‘Devising a membership scheme’, a chapter from The Complete Membership Handbook – FREE for AP subscribers

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