Building relationships

30 Apr 2012

What makes a good client for a major capital building project? Alan Tovey makes some suggestions

Risks and rewards

30 Apr 2012

Chris Hutchings explains the legal pitfalls awaiting those making commercial use of social media

Small is beautiful

30 Apr 2012

The success of Cockpit Arts’ business growth loan scheme highlights the potential for tailored micro finance in the arts. Ellen O’Hara shares their experience

Tapping into talent

09 Apr 2012

Bev Morton sees a people-centred approach to management as being the key to unlocking latent talent

Talent unlimited

09 Apr 2012

Lisa Tregale shows how effective support can unleash the musical talent of young people from the widest range of backgrounds

A talented Work Place

09 Apr 2012

Kenneth Tharp explains the different ways that The Place nurtures the careers of talented dance professionals

First steps

09 Apr 2012

Baba Israel explains how Contact takes a diverse approach to nurturing the ambitions of young people

Awarding opportunities

09 Apr 2012

Henry Bird explains how giving support to up-and-coming musicians is having a positive impact on amateur music-making

Supporting the first steps

09 Apr 2012

Why did an insurer chose to invest in emerging art talent? Jim Burcke tells the story

Outreaching talent

09 Apr 2012

Create Studios, Swindon Borough Council’s digital media studio, exists to nurture young talent. Joy Aldred explains

Stepping stones

09 Apr 2012

The Fuse Medway Festival is an international festival of outdoor arts. Miranda Johnson explains why emerging artists are at its heart

Composing futures

09 Apr 2012

Faith Wilson describes how BCMG’s Apprentice Composer-in-Residence scheme is helping emerging composers mature

Looking to the future

09 Apr 2012

Deborah Herring describes how the ICA Student Forum is helping aspiring arts practitioners to develop their skills; to the benefit of their peers and the wider ICA audience

A moving experience

09 Apr 2012

Tessa Gordziejko sees Yorkshire’s Cultural Olympiad programme as providing a new model for future producer-curated programmes

Reasons to be cheerful

09 Apr 2012

Cath Wilkins looks to the future for inclusive dance

Making the most of older workers

09 Apr 2012

Eleanor Deem explains how organisations can make sure they comply with recent legislation on older workers – and reap the benefits

Illuminating conversations

09 Apr 2012

Nicky Webb describes the birth, development and culmination of a European collaboration that has led to dialogue and exchange between artists, curators, programmers and producers

Dancing for cash

19 Mar 2012

Mark Skipper describes the development of a fundraising campaign that is securing Northern Ballet’s full complement of dancers in the face of major funding cuts

Spreading ‘sciart’

19 Mar 2012

Andrew Ormston explains how hand-in-hand scientists and artists are colonising new, barren land. Just like fungi and algae

Great arts with everyone

19 Mar 2012

Intergenerational work can bring a very different perspective to our understanding of the value of the arts. Jonathan Petherbridge explains

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