As winter approaches, with energy bills remaining stubbornly high, Libraries Connected Chief Executive Isobel Hunter says the Warm Welcome Campaign is more relevant than ever.
In spending down their assets, trusts and foundations are making a strategic change of direction which could pose a threat to the charity sector, says Ben Wilson.
AI is here, and we have to deal with it, says Lauren James. But rather than diving straight in, she advises first giving proper thought to its pros and cons.
Public art is an opportunity for collective expression of identity. In his reflections on a recent conference, Woodrow Kernohan says co-creation offers the potential to realise more equitable futures together.
Andrew Miller recently spent hours trying to book a ticket but, with the rollout of a new access scheme, he hopes his travails and those of other people with disabilities will soon be over.
If we can find a shared language and inclusive approach to evaluating digital arts and culture, we can tell a better story about the difference it’s making, write Rosanna Chianta and John White.
Artists are increasingly concerned that generative AI is stealing their copyright. Lawyers Patrick Wheeler and Zoë Deckker consider whether existing law provides creators adequate protection against the rise of AI-generated artworks.
Artificial intelligence has been around for years but, as Katie Moffat writes, the new generation of AI tools can be used by anyone, and can provide support with many day-to-day tasks.
Rather than berate and fulminate against managers and funders, Robin Cantrill-Fenwick argues we must support orchestras through their current funding crisis.
Imagine a world without culture. How would we orient and co-ordinate our actions? How would we generate new ideas? How would we know our lives are worth living? Arguably, the very act of imagining would be impossible without culture, contend Patrycja Kaszynska and James Purnell.
Maher Anjum, Julia Bennett, Natascha Radclyffe-Thomas and Rose Sinclair reflect on how an inclusive steering group helped place equity, diversity and inclusion at the heart of their work.
In devising a new Master’s degree in dance, Jo Parkes’s aim has been to interrogate the artform - not as a subject to be studied - but as a form of activism.
Think back to summer 2022. What do you remember? If Claire Malcolm remembers one thing, it is the fear and foreboding she felt when UK temperatures topped 40C.
When the proverbial hits the fan, how prepared are you to handle the public messaging? Helen Palmer shares her experience of crisis communications planning and offers useful advice for yours.
Artist activists in Scotland are arming themselves - with squeegees - in a battle to change the hearts and minds of their politicians, as Moira Jeffrey reports.
A collaboration between The Geller Institute of Ageing and Memory and The Music Troupe aims to make opera dementia friendly. Dr Andy Northcott and Edward Lambert share how the project came about.
For more than 10 years, Chris Garrard has been active in demanding accountability from some of our major cultural institutions around the ethics of accepting sponsorship.
Following the closure of the Bridge network earlier this year, and an unsuccessful bid for ACE funding, Nick Owen of The Mighty Creatives still thinks there’s life after funding loss.
The National Lottery Heritage Fund has launched its 10-year strategy - Heritage 2033. Its Chief Executive, Eilish McGuinness, says its focus on longer-term, place-based commitments will be a springboard for lasting change.