Many great public art collections were founded upon the bequests of private collectors, but how can galleries engage the collectors and philanthropists of the future? Kirstie Hamilton reports on Museums Sheffield investigations.
Creative entrepreneurs in remote regions risk isolation, but it doesn’t have to be that way. Aisling Murtagh explains how a project in Europe’s Northern Edge is helping to support and connect creative enterprises.
As the funding landscape shifted, universities emerged as an ideal partner for creative producers Threshold Studios. Uzma Johal and Barry Hale reveal how they have been collaborating with the University of Lincoln.