The first Mossley Light Festival may have transformed the northern town for just one night, but the change in the community will be much more long term. Leon Patel explains how it empowered local people.
Every child in Scotland will see a performing arts production in their school each year if the National Theatre of Scotland’s plans go ahead. Lucy Mason reviews the first year of a trailblazing new pilot.
Many great public art collections were founded upon the bequests of private collectors, but how can galleries engage the collectors and philanthropists of the future? Kirstie Hamilton reports on Museums Sheffield investigations.
Creative entrepreneurs in remote regions risk isolation, but it doesn’t have to be that way. Aisling Murtagh explains how a project in Europe’s Northern Edge is helping to support and connect creative enterprises.
As the funding landscape shifted, universities emerged as an ideal partner for creative producers Threshold Studios. Uzma Johal and Barry Hale reveal how they have been collaborating with the University of Lincoln.