Should an usher pass comment on a show? Ian Lambert weighs ups the pros and cons.
London-centricity still overshadows theatre awards, says Glen Pearce
Where does ‘inclusion’ fit in the parallel landscapes of ‘youth arts’ and ‘older people’s arts’, asks David Slater
Dany Louise issues a rallying cry to artists
Hilary Gresty reflects on the ‘complex behemoth’ that was put in place to repair the fragmentation of the visual arts sector.
Competing for funding isn’t quite the same as applying for funding, says Trevelyan Wright
Will sitting quietly in the dark appeal to the next generation of theatre-goers, asks Ellen Carr.
Want coverage for arts events? Then start standing up for local radio, says Laura Brown
Collaboration and community spirit in the arts sector makes effective networking a possibility and a pleasure, says Ellen Carr
Roma Backhouse fears that funding cuts will ultimately spell the end of efforts to unite London’s disaffected youth with potentially life-changing cultural experiences
Heather Stewart celebrates the potential of crowd funding and crowd sourcing as income streams – but only as part of an overall funding mix
Watching actors advance in their careers when they leave drama school gives Amy Smith a real buzz
What should the usher do when the audience wants to get up and dance? Ian Lambert considers the dilemma.