As arts organisations endure the knock-on effects of funding cuts, Lise Smith discusses the potential risks of skimping on salaries
Greg Klerkx explains how the legacy of Creative Partnerships is being carried on
William Wong asks what can the arts do more of and differently to encourage mindfulness?
Hannah Hull discusses the paradox of being an arts and wellbeing advocate
Ben Irvine looks to Bob Dylan to make the case for why we should make ethics more economical and the economy more ethical
Rebecca Ritchie-Timms reflects on Umefolk festival – the first cultural event she just can’t seem to find fault with
The creative arts can open up emotions and enable self-reflection. Sabine Sandberger shares her experiences of running a therapeutic-theatre project with a group of young asylum-seekers
Bruce Wall gives a personal account of a prison-based theatre project in Malta that turned into a sell-out show
Dr Alan Clarke shares what he has learnt from a career running arts projects in prisons across Europe
Kenn Taylor argues public institutions could learn a thing or two from artist-led models
Christopher Goodhart extols the virtues, and the business case, for ensuring data accuracy in supporter communications
In the final installment of a blog series examining the psychological payoff of art and creativity, Cara Courage considers the implications of taking a transdisciplinary approach
Al Lyle sums up what he learnt about music and the brain at a recent seminar
In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art
Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?