Nick Williams says the language of the arts sector is turning audiences off.
Juliet Brain sees What Next as a chance to put aside creative egos and work for the common good.
Leila Jancovich says let’s not pretend ‘we’re all in it together’
Laura Drane says What Next? can’t be a single issue campaign, as we'll never agree on what that issue is.
Keith Motson likens What Next? to an Alcoholics Anonymous meeting for arts professionals.
Bethany Rex asks how do we start a dialogue with those firmly not in the room?
"I don’t know whether the cast and crew of Sunday’s performance realise quite what an important thing they did... What this performance did was to make us normal."
Chrissie Tiller on Thatcher's legacy for business models in the arts.
Tom Copley wants to find new homes for small-scale cutting edge theatre in London.
Anne Bonnar reflects on an experimental approach to attracting audiences that paid off at the Citizens Theatre.
Neil Nisbet says tweeting links to petitions is a poor substitute for consistent participation by the dance sector in discussions about the profession and culture in general.
A national campaign for the arts should first and foremost aim to win the public’s hearts and minds, says Liz Hill.
Chrissie Tiller says cheap ticketing schemes alone will never be the answer to bringing in more diverse audiences.
Grant-makers owe it to their staff and those they fund to operate a fully transparent process that leaves no room for allegations of misfeasance, says Liz Hill.
Evaluation reports that share the problems as well as the successes are the most valuable of all, says Liz Hill