Nick Williams says the language of the arts sector is turning audiences off.

by Nick Williams on 01 May 2013

Juliet Brain sees What Next as a chance to put aside creative egos and work for the common good.

by Juliet Brain on 01 May 2013

Leila Jancovich says let’s not pretend ‘we’re all in it together’

by Leila Jancovich on 01 May 2013

Laura Drane says What Next? can’t be a single issue campaign, as we'll never agree on what that issue is.

by Laura Drane on 01 May 2013

Keith Motson likens What Next? to an Alcoholics Anonymous meeting for arts professionals.

by Keith Motson on 01 May 2013

Bethany Rex asks how do we start a dialogue with those firmly not in the room?

by Bethany Rex on 01 May 2013

"I don’t know whether the cast and crew of Sunday’s performance realise quite what an important thing they did... What this performance did was to make us normal."

on 18 Apr 2013

Chrissie Tiller on Thatcher's legacy for business models in the arts.

on 17 Apr 2013

Tom Copley wants to find new homes for small-scale cutting edge theatre in London.

by Tom Copley on 07 Mar 2013

Anne Bonnar reflects on an experimental approach to attracting audiences that paid off at the Citizens Theatre.

on 14 Feb 2013

Neil Nisbet says tweeting links to petitions is a poor substitute for consistent participation by the dance sector in discussions about the profession and culture in general.

on 16 Jan 2013

A national campaign for the arts should first and foremost aim to win the public’s hearts and minds, says Liz Hill.

by Liz Hill on 03 Jan 2013

Chrissie Tiller says cheap ticketing schemes alone will never be the answer to bringing in more diverse audiences.

by Chrissie Tiller on 21 Dec 2012

Grant-makers owe it to their staff and those they fund to operate a fully transparent process that leaves no room for allegations of misfeasance, says Liz Hill.

by Liz Hill on 20 Dec 2012

Evaluation reports that share the problems as well as the successes are the most valuable of all, says Liz Hill

by Liz Hill on 19 Dec 2012

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