From issue 177
John Bultitude looks at some new techniques a venue can use to generate its own content for local media.
From issue 177
Sara Teiger looks beyond listings and shares some tips on how to get on the news agenda.
From issue 177
Edinburgh Festival and Fringe organisers have contrasting stories to tell as season closes.
From issue 177
An Open Weekend marking the launch of the 2012 Cultural Olympiad will be taking place from 26 to 28 September, the official start of a four-year celebration leading up to the London 2012 Olympic and...
From issue 177
Whilst overall public engagement with the arts remained constant between 2005/06 and 2006/07, there were statistically significant year-on-year decreases in attendance at four types of arts event...
From issue 177
A ‘Great Exhibition’ in the East Midlands, a celebration of the Paralympic movement in the South East and a range of ‘Big Dance’ activities in London are among projects to be...
From issue 177
Law firm Walker Morris is to sponsor the inaugural exhibition at the new Saatchi Gallery in London, the largest free-entry contemporary art museum in the world, which is due to open on 9 October....
From issue 177
Improved provision for dance performance, better training for professional dancers and a stronger place for dance in schools are the hoped-for outcomes of Arts Council Northern Ireland’s (ACNI...
From issue 177
Concern that arts bodies are not finding the organisation “as relevant and useful and productive as [it] should be” has prompted Arts & Business (A&B) to launch an online...
From issue 177
Submissions are being invited for the £100,000 Art Fund Prize for museums and galleries 2009, the UK’s largest single arts prize, which recognises originality and excellence in museums...
The Oska Bright Film Festival in Brighton, run by people with learning disabilities, has been voted the UK’s favourite Lottery-funded arts project and awarded a £2,000 cash prize at the...
From issue 177
The impact of Arts Council England’s (ACE) funding review earlier this year continues to be felt. Some organisations still stagger under the blows, while others have a Damoclean sword hanging...
From issue 177
Alistair Wilkinson reflects on the ten-year transformation of Lighthouse and sees incremental change and staff involvement as key to the process.
From issue 177
Bridget Edwards introduces us to two men, one in his late teens and one considerably older. Both have served time in jail and both discovered the arts during their time there. They tell their own stories.
From issue 177
In the first of our new format for discussing management issues, Hannah Rudman explores new contracts for digital content.
From issue 176
Marilyn Taft Thomas draws on her own experience and view of the arts to produce what is – as far as I’m aware – the first book on arts leadership. Its scope is ambitious: the...
From issue 176
Glasgow’s multi-arts venue, The Arches, has appointed Jackie Wylie as its new Artistic Director. She is currently Arts Programmer for the venue, having joined in 2004.
John Ashford (pictured...
From issue 176
Anne-Marie Quigg asks whether arts professionals are too tolerant of bullying in a sector where such behaviour is rife.
From issue 176
Bullied first at school and later in a dream arts job, an ArtsProfessional reader tells us how it feels.
From issue 176
Sergio López Figueroa?s project wasn?t originally about bullying, but the lessons of the past proved highly relevant to young people?s lives today.
From issue 176
New opportunities, born of necessity, were the surprising outcome from a funding cut. Stuart Mullins explains.
From issue 176
Rebecca Storey takes us through the recovery plan which turned an arts organisation?s fortunes around.
From issue 176
ArtsProfessional reveals the career paths of the sector?s senior managers.
From issue 176
ACE public engagement plan could affect RFOs? funding agreements and artistic policies.
From issue 176
In a keynote speech at the National Eisteddfod in Cardiff, Alun Ffred Jones, the recently-appointed Minister for Heritage in Wales, has set out his vision for Culture and the Arts, emphasising the...