From issue 237 Opinion
I’ve been busy getting my feet under the table at Travelling Light Theatre Company, producing projects with young Bristolians. Recently Paige and Jaden, two of our Youth Theatre members, aged...
From issue 237 Opinion
Having recently spent a week in New York – taking part in the TS Eliot US/UK Exchange organised by Old Vic New Voices – I’ve been thinking more about international collaboration...
From issue 237 Opinion
I know that the term ‘social networks’ is perhaps one of the most blogged about in the entire history of everything in the whole wide world, but I am happy to add to that – after...
From issue 237
ROXANA SILBERT has been appointed as the new Artistic Director of Birmingham Repertory Theatre. She is currently an Associate Director at the RSC. Prior to joining the RSC, she was Artistic Director...
From issue 237 Feature
A new programme aims to support artists’ responses to conflict. Michaela Crimmin explains
From issue 237 Feature
Rosie Kay explains how a dance project helped her to empathise with and understand the demands that soldiers face on active duty
From issue 237 Feature
Christine Kapteijn on hands-on art activism in Cambodia
From issue 237 Feature
Ayla Lepine looks at how an organisation working with bereaved Israelis and Palestinians is hoping to promote reconciliation through art
From issue 237 Feature
Katherine Darton talks to Bill Brookman about his work using the arts in conflict zones.
From issue 237 Feature
Do artists need to be at war with their nation to be a national force, asks Donald Stewart
From issue 237 Feature
Heather Corcoran on trying to combine intimacy, art and conflict in one exhibition
From issue 237 Feature
Lauren Mele looks at how suffering is presented in contemporary art
From issue 237 Opinion
FROM Mike Layward, Artistic Director, DASH In your article ‘ACE grapples with equality’ (p1, AP236), I would challenge ACE’s statement that it ensured that the cuts were not...
From issue 237 News
New report shows that the impact of cuts is falling heavily on artists
From issue 237 News
Arcola Theatre is one of 25 organisations being held up by NESTA, the National Endowment for Science, Technology and the Arts, as role models for ‘civic entrepreneurship’ in its new...
From issue 237 News
Large-scale live music events across the UK attract at least 7.7 million attendances a year by domestic and overseas music tourists, according to new research by UK Music into the economic...
From issue 237 News
Most visual arts organisations are under-capitalised and have reserves that are too small to support investment and growth or to protect the organisation in times of crisis, according to a new report...
From issue 237 News
Proposals from six producing companies have been shortlisted, from 62 bids, for the Calouste Gulbenkian Foundation’s new £175,000 annual performance award. The money is for the creation...
From issue 237 News
English National Opera (ENO) has been awarded the Royal Philharmonic Society (RPS) award for Audience Development 2011 in recognition of its free membership scheme for young people and its 2010 site...
From issue 237 News
Ivan Lewis MP, Shadow Secretary for Culture, Media and Sport has accused the Government of “back to front policy making” after Jeremy Hunt announced a review of film funding. Having axed...
From issue 237 News
New research endorses the value of Edinburgh’s festivals to the local and national economy
From issue 237 News
New measures aim to kick-start a spirit of philanthropy and volunteering
From issue 237 News
Cuts to artists’ membership and development agencies and practice-based organisations will have a disproportionate impact, according to new research
Guidance materials to support teachers in assessing pupils’ progress in musical learning within the National Curriculum have been published by the National Association of Music Education. The...
From issue 237 Feature
Paula Hawthorne explains what you need to know about cancellation insurance

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