From issue 240 Feature
Iceland
From issue 240 Feature
Co-Director of Arts Inform. arts consultant, writer and musician
From issue 240
ArtsProfessional is sad to report that John Matthews has died at the age of 57. John’s long and pioneering career in the arts is marked in particular by the creation in 1983 of Cardiff Arts...
From issue 240
John Matthews: 5 July 1954 – 15 July 2011
From issue 240
I first met John when I was running Theatr Clwyd and we toured to the Sherman Theatre in Cardiff where he was Press Officer and House Manager, full of energy. I kept in touch when he was working in...
From issue 239 Opinion
“Where do I start?” is a question that we hear weekly from the 42,000 members of our online youth arts community IdeasTap and one that I’ve also worked through with my kids. With...
From issue 239 Opinion
This year’s degree shows have astounded and entertained me in equal measure and I can say with surety that the class of 2011 has produced some of the best art I have seen at graduate shows for...
From issue 239 Opinion
Why does it matter where we get our money from? I’m not talking about the morality of accepting money from a company whose ethical practices are non-existent, or a foundation whose ethos might...
From issue 239 Opinion
In his recent blog post ‘Funding the future – a risky business?’ Peter De Haan quotes the question “where do I start?” as springing from the lips of 42,000 members of...
From issue 239 Opinion
I originally agreed to write a blog a couple of weeks ago on The Big Society, and what it might mean for arts organisations. Having been to a conference on it, and what it might mean for local...
From issue 239 Opinion
The Moscow Theatre of Drama and Comedy – on the Taganka – became the most radical, exciting theatre company in Russia in the 1970s. It was led by Yuri Lyubimov with a dedicated company...
From issue 239 Opinion
After years of chronic underfunding by the previous Conservative administration, New Labour’s election victory in 1997 saw a massive increase in funding for arts and culture, and there was a...
From issue 239 Book review
‘The Sponsorship Handbook’ flags at the start that sponsorship is a “relatively young marketing discipline” and that the industry may not yet have enough published examples of...
From issue 239
The Ambassador Theatre Group (ATG) has appointed SIMON PALETHORPE as its Executive Director. He has previously worked for Avis, John Lewis, Pepsico and EMI, and he joins from Terra Firma Capital...
From issue 239 Feature
Roxanne McLean on the importance of good volunteer management
From issue 239 Feature
Lynn Blackadder considers what success feels like for volunteer management programmes
From issue 239 Feature
Rosalie Neath explains how volunteers help the work of the Art Fund
From issue 239 Feature
Rebecca White on how to improve volunteer diversity
From issue 239 Feature
Jack Worthington explores what volunteers get in return for offering their time
From issue 239 Feature
Karen Goddard explains why Eastern Angles Theatre Company is moving volunteers onto the frontline
From issue 239 Feature
Hat Fair exists almost entirely thanks to the goodwill, skill and hard work of volunteers, says Miranda Johnson
From issue 239 Feature
Richard Fletcher explains the use of peer mentors to make volunteering more attractive
From issue 239 Feature
Rob Jackson shares his ten top tips for being attractive to volunteers
From issue 239 Feature
The National Trust has been working to broaden its range of volunteers. Sajida Aslam explains
From issue 239 News
ACE announces details of £40m scheme to boost private giving to the arts

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