From issue 19
Arts organisations across Scotland and Wales are celebrating announcements by their respective governments, of major increases in arts funding. The National Assembly for Wales is to increase its...
From issue 19
We describe what we do as aerial theatre, and as it suggests, this means theatre in the air, writes Becky Truman. Using our circus skills, we tell a story above the ground just as a theatre company...
From issue 19
Jonathan Church?s first season as Artistic Director at Birmingham Repertory Theatre has seen attendances rise by 92% in comparison with the autumn/winter 2000 season. 92,000 people came to see a...
From issue 19
I often hate going to the theatre and suffering all the ritualised packaging of the creative moment in a confined space. The experience can make even bad street art appear to have more power and...
From issue 19
Every issue of ArtsProfessional is crammed with news of people changing their jobs ? moving on, moving up, or this week, in the case of Tamara Malcolm (see below), moving into retirement. How...
From issue 19
Morecambe?s award-winning Tern Regeneration programme of public art works has already achieved one of its key aims: to animate the seafront and entertain the public during the day, explains Brian...
From issue 19
After 14 years as Artistic Director, Vicky Ireland (pictured) is to leave Polka Theatre at the end of the summer to devote more time to freelance writing, directing and international work. Tamara...
From issue 19
Review by Lew Hodges, Director of Finance and Planning, Arts...
From issue 19
TAG Theatre Company, Scotland?s national theatre company for young people, is to be assisted by the Education Service of the Scottish Parliament on its next project, ?Making Changes?, which will...
From issue 19
Review by Hugh Adams (Comedia / the Department of Canadian Heritage / UNESCO with support from the World Bank, Stroud, 2001. ISBN 1 813667 03 5 £10.00 [£13.09 incl. p&p*]) Title...
From issue 19
The Film Council has issued a consultation document setting out its proposals for the distribution of specialised films, and support for cinema education and cinema exhibition. Under the proposals, £...
From issue 19
Title: Box Office Manager Name of Organisation: The Anvil Phone: 01256 819797 Fax: 01256 366900 Email: heather.chapple@theanvil.org.uk How long in present post? Nearly 3 years What does your...
From issue 19
A new symphony orchestra is to be formed as part of Bristol?s bid to be named European Capital of Culture 2008.The West of England Philharmonic, to be run by members on a self-governing basis, will...
From issue 19
ARTS SERVICES St Helens Creative Industries Initiative: http://www.creative-insthelens.org Database of artists and creative industries; Commercial and domestic commissions; Arts in education;...
From issue 19
?Blacking Up?, a one-day event by Scotland?s Theatre Workshop featuring a dynamic piece of forum theatre in which the audience will explore issues of employment and disability, is to tour throughout...
From issue 19
Britain?s largest display space for contemporary craft is to be developed in North Kesteven, Lincolnshire, with European funding of £1.14m. The new centre, to be known as The Hub, will develop the...
From issue 18
All Ways Learning (AWL) was selected by the Arts Council of England to form one of nine regional artform-based pilot services for its national Continuing Professional Development (CPD) network,...
From issue 18
The Arts Council of Northern Ireland (ACNI) has released its funding plans for the future arts infrastructure in Northern Ireland, with £9m of the £12m available from the ACNI Lottery funds over the...
From issue 18
Subscription schemes encourage customers to buy a number of tickets for a package of events and thereby attend more events than they otherwise might have done. Tim Baker asks why they have not...
From issue 18
Despite the unprecedented success enjoyed by the City of Birmingham Symphony Orchestra (CBSO) under Simon Rattle, during the 1990s sales trends showed a decline in numbers of tickets purchased, which...
From issue 18
A tenuous thread runs through this issue. In the Management Development feature (pp 5-7), Bill Lucas of the Campaign for Learning emphasises the importance of training our minds to break out of their...
From issue 18
At the turn of the millennium, when the major headache for most organisations was Y2K compatibility, we at the REP were pondering what to do with 650 highly demanding but low-yielding subscribers,...
From issue 18
The RCS?s principal associate director Michael Attenborough is to be the new head of the Almeida Theatre, to succeed Ian McDiarmid and Jonathan Kent. English Touring Opera has announced the...
From issue 18
The entry-level ?bronze? membership scheme at Malvern Theatres can be described as a subscription scheme, writes Fred Moroni. For a £35 annual fee the buyer enjoys advance notice of productions and...
From issue 18
In what is seen by the Arts Council of England (ACE) as the final stage in the creation of the single arts funding organisation, Regional Arts Boards (RABs) have been issued with detailed documents...

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