From issue 75
Arts Services Creative Arts East. Arts Round-up: publicity distribution Service from 100 to 1000 outlets. Artefax: arts direct mail service. Get yourself noticed! Contact: communications@...
From issue 75
Belfast City Council has established a series of regular networking events designed to nurture links between the city?s tourism and cultural industries. Cultural tourism became a Council priority...
From issue 75
Since 1997, when tackling social exclusion became a high priority for government, Arts Council England (ACE) has set out to promote and demonstrate the role of the arts in inclusion, writes Nikki...
From issue 75
A collective sense of sheepishness seems to pervade arts organisations when it comes to fighting the corner for our industry and our livelihoods. Be it a fear of the whining luvvy tag or a weariness...
From issue 75 Feature
In the final instalment of his series on financial reports, Mahmood Reza looks at cash-flow statements and the management use and interpretation of financial statements.
From issue 75
Ros Lamont, Audience Development Manager at the Scottish Arts Council, will be taking over as Chief Executive of The Audience Business from David Jackson, who has left to become the Edinburgh?s...
From issue 75
Gillian Bates takes a look at the lighter side of life and work as a freelance in the arts. People familiar with British classical music concerts will recognise the phenomenon known as ?The Cough...
From issue 75
From Mark Pemberton, Chief Executive, National Operatic and Dramatic Association (NODA) While I am delighted that Arts Council England has issued such a weighty report on the contribution made by...
From issue 75
The Essential Audiences series draws to a close this month. This series of monthly articles and extensive website content has begun to explore and disseminate the legacy of New Audiences. The final...
From issue 75
Perhaps the acid test of a developmental programme such as New Audiences is what happens in its wake. Could a one-off project spark continuing change? Could the impact of a developmental exercise...
From issue 75
From David Dixon, Director of The Phone Room Ltd. Help! Recently (ArtsProfessional, issue 71, April 5), you accurately reported that I have handed over the role of Managing Director of The Phone...
From issue 75
Awareness of the New Audiences website as a powerful resource for arts managers has already begun to spread. During the past years, the number of hits on the website has grown from 900 a month to...
From issue 75
Arts Council England (ACE) has placed Liverpool?s status as European Capital of Culture 2008 at the heart of its bid for increased support in this summer?s government spending review. Ensuring that...
From issue 75
The UK?s ageing demographic has almost reached the status of a cultural cliché. In 2000, the Henley Centre Report (The Arts Landscape in 2010), cited the increase in people of pensionable age, and...
From issue 75
The Museums, Libraries and Archives Council (MLA), formerly known as Re:source, has completed its development of regional agencies across England to promote and lobby on behalf of the sector. Acting...
From issue 74
A comprehensive study of over 300 theatres across Britain has established that the theatre industry contributes £2.6bn annually to the UK economy. The survey, the first of its kind to be carried...
From issue 74
25th birthday Established May 1979 e: info@ottc.oxfordshire.co.uk How it all began? Oxfordshire Touring Theatre Company (OTTC) was set up in 1979 with the aim of providing theatre activities for...
From issue 74
Overstretched and undervalued, box offices are often seen as a reactive sales tool. However, Beth Aplin believes they can become a proactive force in arts organisations. Anne Roberts pointed out...
From issue 74
Theatr Genedlaethol Cymru, the Welsh language touring theatre company, has launched its first national tour, Meic Povey?s Yn Debyg Iawn i Ti a Fi (Very Much Like You or Me), directed by the company...
From issue 74
Alice Devitt compares the approach to fundraising adopted by the arts and charity sectors, and suggests that the arts sector should modify its attitude to fundraising and adopt a multiplicity of...
From issue 74
It is clear from initiatives such as the Laissez-passer membership scheme at the Pompidou Centre in Paris that we have much to learn from our European colleagues. One speaker at the recent Audiences...
From issue 74
The Henley Festival was initially a three-day ?opera plus food? event, following the historic Henley Royal Regatta. With funding exclusively from the box office and sponsors, the Festival staggered...
From issue 74
Aisling Bryce (pictured), previously Events and Exhibitions Co-ordinator with the Royal Incorporation of Architects in Scotland, has been appointed as Director of Lyth Arts Centre, Caithness. She...
From issue 74
Later this year, thanks to the support and foresight of Scottish Enterprise, Scottish Youth Theatre (SYT) will get the keys to the first custom-built arts centre for young people and children in the...
From issue 74
From Simon Kensdale, Wigan Creative Industries Officer Heather Newill?s rhetorical question ?Why can?t artists be more like businessmen?? (ArtsProfessional, issue 72, April 19, p7), reminds me of...

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