Latest News
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Arts organisations are turning to trusts and foundations to plug funding gaps caused by local...
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MENA Arts UK, set up for UK-based professionals connected to the MENA+ region (Middle East, North...
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The current review of Arts Council England (ACE) should involve consultation with the arts and...1
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Glasgow book festival Aye Write, which was cancelled last month after Creative Scotland turned down...
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Planned tours by Welsh National Opera to Bristol and Llandudno will not go ahead due to ongoing...
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The Scottish Institute of Theatre, Dance, Film & Television (The SI) has been announced as the...
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A music-making programme for disabled children is being extended to another three areas of England...
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Derry’s Waterside Theatre has announced it will close at the end of June due to a lack of funds....
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Arts Council of Wales (ACW) has announced significant staff redundancies and the departure of...
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Creative Scotland has defended its decision to fund a film installation featuring participants...
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The Regional Theatre Young Director Scheme (RTYDS) has launched a two-year initiative designed to...
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Plans for a new arts and cultural quarter in Essex have been give the green light by a council...
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Movement-based education can contribute to improving children’s cognitive capacities during English...
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A crowdfunding appeal to buy and deliver a mobile library to Ukraine has been launched by the...
Latest Features
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There has been a massive decline in arts for young people over the last 15 years. So much so that Joe Hallgarten thinks we need a dedicated national organisation to repair the damage. The current review of ACE might provide an opportunity.
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In light of the huge challenges that so many arts and culture organisations have faced in recent years, Watershed’s Clare Reddington shares five ‘rules’ for turning your organisation round.
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A report from King’s College London looks at potential policy solutions to combat precarity in freelance cultural work. Sana Kim, one of the researchers, shares its key findings.
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A blog post by a former government adviser has called for a cap on the number of students studying creative subjects. Orian Brook thinks the figures used to justify this argument misrepresent creative graduates’ earning power and contribution.
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Being an artist, at all career stages, is a minefield waiting to be triggered without informed guidance. Simon Poulter has been canvassing artists about being sold a dream.
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Artistic freedom is an increasingly contested area of public discourse. But as Ruth Anderson of Index on Censorship argues, while she might not agree with what is expressed, she defends the right to do so.
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