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Matthew Boswell reports on a symposium organised by Opera North and the University of Leeds and the beginning of a timely new conversation about risk.
Mountview Academy of Arts is making a step-change in its recruitment of drama students to attract talent from a wider social and racial mix, writes Vikki Heywood.
A funding system that protects the status quo is preventing arts organisations from developing innovative new business models that are less dependent on the public purse, argues Michelle Wright.
For readers in the rest of the UK, Christine Hamilton reflects on how the Scottish arts world has responded to the independence referendum.
Universities and the cultural sector can work in partnership to drive innovation, widen participation and engage a broader public, writes Deborah Bull.