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Dany Louise looks into the reasons why many cities welcome biennials of art events while others are less receptive.
Jodi Myers explores the complexities of musical theatre today and why it needs meaningful investment to give new work a greater chance of surviving.
Toby Lowe believes that discussions about the quality of work by artists in the participatory sector are useful for others who operate in similar uncertain and complex circumstances.
Steph Fuller argues that Creative People and Places projects will take time to take effect and therefore criticism of their impact is premature.
Nick Capaldi explains the new partnership between the Welsh Government and the Arts Council of Wales which puts arts and creativity at the heart of the school curriculum.