Birmingham artists and audiences fill the void when the city falls into one of its “recurring troughs of mediocrity”, says Richard Bratby.
On Saturday night, the City of Birmingham Symphony Orchestra makes its first appearance at the BBC Proms under its new music director, the 30-year-old Lithuanian Mirga Grazinyte-Tyla. It’s all a bit sudden. Grazinyte-Tyla only conducted the CBSO for the first time last July, and she’ll have made her debut as official successor to Simon Rattle, Sakari Oramo and Andris Nelsons at Symphony Hall, Birmingham, the previous night. The programme comprises Mozart, Tchaikovsky, and the London premiere of Hans Abrahamsen’s Grawemeyer Award-winning song cycle let me tell you. That’s right, the ‘London premiere’. It says so on the BBC website. Auntie has blessed the venture; the metropolis is poised to give its imprimatur.
Never mind that the CBSO gave the UK premiere of let me tell you in March 2014: and that you’ll never see the words ‘Birmingham premiere’ on a Symphony Hall programme. Birmingham doesn’t really do self-promotion, and when it does it tends to be about the wrong things... Keep reading on The Spectator
On Saturday night, the City of Birmingham Symphony Orchestra makes its first appearance at the BBC Proms under its new music director, the 30-year-old Lithuanian Mirga Grazinyte-Tyla. It’s all a bit sudden. Grazinyte-Tyla only conducted the CBSO for the first time last July, and she’ll have made her debut as official successor to Simon Rattle, Sakari Oramo and Andris Nelsons at Symphony Hall, Birmingham, the previous night. The programme comprises Mozart, Tchaikovsky, and the London premiere of Hans Abrahamsen’s Grawemeyer Award-winning song cycle let me tell you. That’s right, the ‘London premiere’. It says so on the BBC website. Auntie has blessed the venture; the metropolis is poised to give its imprimatur.
Never mind that the CBSO gave the UK premiere of let me tell you in March 2014: and that you’ll never see the words ‘Birmingham premiere’ on a Symphony Hall programme. Birmingham doesn’t really do self-promotion, and when it does it tends to be about the wrong things... Keep reading on The Spectator