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In the age of Netflix, do existing subscription models for orchestras still work? Adam Scurto analyses data from over 40 North American symphonies to find out.

In 2015, the consulting firm Oliver Wyman released a research study in partnership with the League of American Orchestras that grabbed my attention and hasn’t let go. The central question of their work: is the existing subscription model for symphony orchestras still viable? In the age of Netflix, Amazon, and Uber, does it need a small tweak, a substantial jump start, or a complete-and-total... Keep reading on TRG Arts