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There is no individual who has done more to change the way this country sees art than Tate Director Nicholas Serota, writes Charlotte Higgins.

In 1970, if you had said that London would one day become the centre of the international art world, the successor to Paris before the first world war and New York after the second, most people would have thought you mad. The gleaming commercial galleries, the art fairs, the record-breaking sales at Christie’s and Soth... Keep reading on The Guardian